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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

Anderson, William

Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Andriessen, Louis

Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Bales, Richard and Charles Seeger

Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Ballantine, Christopher

Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.
VI. Topical Studies
B. Musical Quotation or Borrowing

Ballentine, Christopher

Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Banyai, Istvan

Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Berlin, Edward

Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).
Notes:

Includes references to Ives’s ragtime pieces.

Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing

Berlin, Edward A.

Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.
Notes:

References are taken primarily from the Memos (23) and Essays Before a Sonata (49).

Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Block, Geoffrey

Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Bower, Tim

Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.
Source: Caricature
Reprints:

Reproduced: announcement for an American Composers Orchestra concert.

XVI. Photographs and Artwork
B. Artwork

Breger, Leonard

Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.
Notes:

Includes a likeness of Ives.

Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork

Brotman, Adolf E.

Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.
Notes:

Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Brown, Ray

Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Burk, James M.

Year: 1973
Complete Citation:
See: James M. Burk. “From Our Readers.” Music Journal 31/10 (De-cember 1973): 38.
Source: Postage Stamp
XVI. Photographs and Artwork
C. Other

Burk, James Mack

Year: 1977
Complete Citation:
Burk, James Mack. An Hour with Ives. 1977. In The Charles Ives Festival- Conference, Oc-tober 19, 1974: Brooklyn.
Source: Photograph
Reprints:

Made around the Ives house in West Redding and Danbury. [No original photographs of Ives.] Also includes slides made from other photographs including those printed in books. The James Mack Burk Collection also con-tains prints of photographs taken and printed by Sipprell, Erskine, and Rathburn.

XVI. Photographs and Artwork
A. Photographs

Burkholder, J. Peter

Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing