Rathert, Wolfgang
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.Source: Conference Proceedings Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Riegger, Wallingford
Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Ring, Gordon
Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Ringer, Alexander L.
Year: 1990
Complete Citation:
Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Sales, Grover
Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Sapp, Allen
Year: 1955
Complete Citation:
Sapp, Allen. “String Quartet No. 2.” Notes 12, no. 4 (June 1955): 489-492.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Sinclair, James B.
Year: 1975, 1976
Complete Citation:
Sinclair, James B. “Preface.” In A New England Symphony: Three Places in New England — Charles Ives, edited by James B. Sinclair. Bryn Mawr, PA: Mercury Music Corporation, 1976.Notes: Preface dated January 27, 1975. Full orchestration restored by James B. Sinclair.
Source: Preface to Edition
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Singleton, Kenneth D.
Year: 1976
Complete Citation:
Singleton, Kenneth D. A comparative listing of the music of Charles Ives in regard to publication and publishability.X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Starr, Larry
Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Sterne, Colin
Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Streller, Friedbert
Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Thurmaier, David
Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Tick, Judith
Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Tryon, Winthrop P.
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing
Wallach, Larry
Year: 1996
Complete Citation:
Wallach, Larry. “A Work and Its Sources: The Second Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Warburton, Thomas
Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.Notes: A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).
Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Ward, Charles
Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.Notes: Unpublished Master’s Thesis
Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
Whallon, Evan
Year: 1953, 1954
Complete Citation:
Whallon, Evan. Review of “The Unanswered Question, for Chamber Orchestra. “Performable Also as Chamber Music) by Charles Ives; Calcium Light, for Orchestra by Charles Ives.” Notes 11. no. 4 (September 1954): 607.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices