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Bibliography

Darrell, R.D., comp.

Year: 1934
Complete Citation:
Darrell, R.D., comp. “Living American Composers: A List with Notes on the Recordings or Recording Possibilities.” Music Lovers’ Guide 2 (February, 1934): 173.
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Davis, Peter

Year: 1974
Complete Citation:
Davis, Peter. “The Ives Boom on Disk: Every Sketch, Scrap and Master-piece.” The New York Times, October 20, 1974, sec. D, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

de Leeuw, Reinbert

Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Deane, James G.

Year: 1953
Complete Citation:
Deane, James G. “Capital’s U.S. Fête Includes Fifteen Premieres.”
Musical Courier 147 (July 1953): 29.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

DeMuth, Jerry

Year: 1979
Complete Citation:
DeMuth, Jerry. “Aaron Copland/Charles Ives.” Downbeat 46 (May 3, 1979): 31.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Denton, David

Year: 2012
Complete Citation:
Denton, David. “Reviews: CDs - Ives: Violin Sonatas Nos. 1-4.” The Strad, Vol. 123 (2012): 103.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Denton, David. “CD Review: American Chamber Music.” The Strad, Vol. 125 (2014): 77, 79.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Dervan, Michael

Year: 2016
Complete Citation:
Dervan, Michael. “Ives Orchestral Works Vol. 2 Melbourne SO/Andrew Davis.” The Irish Times, January 15, 2016.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Dickinson, Peter

Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.
Notes:

Ives is in-cluded in list of composers influenced by ragtime.

Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1986
Complete Citation:
Dickinson, Peter. “Review of recordings: Crumb and Ives.” American Music 4/2 (Summer 1986): 233-235.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2000
Complete Citation:
Dickinson, Peter. “Reviews: Chamber - R Clarke; Ives.” Gramophone, Vol. 78 (2000): 71.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
Dickinson, Peter. “Reviews: Orchestral - Ives.” Gramophone, Vol. 84 (2006): 76.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Dickinson, Peter. “Reviews: Chamber - Ives: “Three Page Sonata”; Three Quarter-Tone Pieces for Two Pianos; Wyschnegradsky: “Etude sur le ‘Carré Magique Sonore’”; 24 Preludes in Quarter-Tone System - Nos. 1, 4, 5, 7, 9, 14, 17-18, 20, 23-24.” Gramophone, Vol. 84 (2007): 81.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Dickinson, Peter. “Reviews: Vocal - Ives: “The Light That Is Felt.”” Gramophone, Vol. 86 (2009): 96-97.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Dickinson, Peter. “Reviews: Orchestral - Schuman: Symphony No. 8; “Night Journey”; Ives/Schuman: Variations on “America.”” Gramophone, Vol. 88 (2010): 67.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Dickinson, Peter. “Instrumental Reviews: “Responses to Ives.”” Gramophone, Vol. 88 (2010): 75.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Dickinson, Peter. “Orchestral Reviews: Ives - Symphonies - No. 1; No. 2.” Gramophone, Vol. 92 (2015): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Dickinson, Peter. “Orchestral Reviews: Ives - “Orchestral Works,” Vol. 2.” Gramophone, Vol. 93 (2016): 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Distler, Jed

Year: 2000
Complete Citation:
Distler, Jed. “Music for the Millennium.” Gramophone, Vol. 77 (2000): A3-A6.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews