Image
Complete Citation:
Hecht, Roger. “Collections - “Leonard Bernstein: the Americans.”” American Record Guide, Vol. 67, No. 5, (2004): 223-225.
Bibliography
Genres
Hecht, Roger
Year: 2004
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2007
Complete Citation:
Hecht, Roger. “Guide to Records - Ives: Symphonies.” American Record Guide, Vol. 70, No. 1 (2007): 112-113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Hecht, Roger. Guide to Records - Ives: “Decoration Day”; “Fourth of July”; “Thanksgiving & Forefathers' Day”; “The General Slocum”; Overture; Postlude. American Record Guide, Vol. 73, No. 2 (2010): 106-107.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2011
Complete Citation:
Hecht, Roger. Ives: “Concord Symphony;” Copland: “Organ Symphony.” American Record Guide, Vol. 74, No. 3 (2011): 133-134.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2014
Complete Citation:
Hecht, Roger. “Guide to Records: Seattle Symphony - “Ives: Symphony 2; Gershwin: ‘American in Paris’; Carter: ‘Instances.’”” American Record Guide, Vol. 77, No. 5 (2014): 109-110.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Helm, Everett
Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Hemming, Roy
Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Henahan, Donal
Year: 1970
Complete Citation:
Henahan, Donal. “Recordings: Was Ives Merely an Inspired Dabbler?” The New York Times, July 19, 1970, 87.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play Their Own Music.” The New York Times, July 14, 1974, sec. 2, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play their Own Music: The Value of some Historical Recordings is that they ‘Leave Little Doubt as to how the Composer Wanted His Music Played.’” The New York Times, July 14, 1974, 107.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Henderson, Clayton W.
Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Henerson, Clayton Wilson
Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Hewett, Ivan
Year: 2003
Complete Citation:
Hewett, Ivan. “Reviews: Chamber - A Little Help from Their Friends: [Charles Ives].” BBC Music Magazine, Vol. 11, No. 7 (2003): 68.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Hitchcock, H. Wiley
Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana on Disk.” Newsletter - Institute for Studies in American Music 24, no. 2 (Spring 1995): 7.Source: Newsletter
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Homfray, Tim
Year: 2014
Complete Citation:
Homfray, Tim. “Reviews-CDs: Sounds of a Century.” The Strad, Vol. 125 (2014): 90.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Hume, Paul
Year: 1974
Complete Citation:
Hume, Paul. “Piano Sonatas.” The Washington Post, October 15, 1974: B11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’s Collages.” Music Theory Online 17.2 (July 2011).Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Jack, Adrian
Year: 1974
Complete Citation:
Jack, Adrian. “Ives Recordings.” Records and Recording 18/2 (November 1974): 81.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Jack, Adrian. “Ives, Symphonies.” Records and Recording 18/1 (October 1974): 47-48.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews