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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
B. Fiction
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Davenport, Guy

Year: 1990
Complete Citation:
Davenport, Guy. “Ives the Master.” In Words on music: from Addison to Barzun. Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.
Source: Chapter in Book
Reprints:

Davenport, Guy. “Ives the master.” In <i>Words on music: from Addison to Barzun</i>. Athens: Ohio University Press, 1990.

XIII. Ives in Literature
A. Poetry

de Leeuw, Reinbert

Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Dickinson, Peter

Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.
Notes:

Ives is in-cluded in list of composers influenced by ragtime.

Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Dickinson, Peter. “Emily Dickinson and Music.” Music & Letters 75/2 (May 1994): 241-245.
Notes:

Only a passing quotation about Ives by Copland at the opening recital of the Charles Ives Centennial Festival-Confer-ence: “How could that man write that music?”

Source: Journal
XIII. Ives in Literature
A. Poetry

Eberhart, Richard

Year: 1973
Complete Citation:
Eberhart, Richard. Ives. Seattle, WA: Seattle University, 1973.
Notes:

Book of poetry

Source: Book
XIII. Ives in Literature
A. Poetry

Ellison, Mary

Year: 1976
Complete Citation:
Ellison, Mary. “Ives’ Use of American ‘Popular’ Tunes as Thematic Material.” In South Florida’s Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 30--34. -Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Freund, Robin

Complete Citation:
Freund, Robin. “Charles Ives: On the Completion of ‘The Housatonic at Stockbridge.’” A Charles Ives Newsletter.
Notes:

Published on the Charles Ives Society’s web- site.

Source: Poem
XIII. Ives in Literature
A. Poetry

Furnas, T. Chalmers

Year: 1937
Complete Citation:
Furnas, T. Chalmers. “Charles E. Ives, An Essay.” The Mills of God, A Book of Essays and Poems. Amesbury, MA: The Whittier Press, 1937.
Source: Book
XIII. Ives in Literature
A. Poetry

Garrett, Charles Hiroshi

Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Charles Ives's Four Ragtime Dances and "True American Music.”” In American music and the twentieth century. CA: University of California Press: John Wiley and Sons Ltd., 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Gibbons, William

Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Gizzi, Peter

Year: 1998
Complete Citation:
Gizzi, Peter. “Decoration Day.” In Artificial Heart. Providence, RI: Burning Deck, 1998.
Source: Poem
XIII. Ives in Literature
A. Poetry

Harrison, Lou

Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henderson, Clayton W.

Year: 1974
Complete Citation:
Henderson, Clayton W. “Ives’ Use of Quotation.” Music Educators Journal 61/2 (October 1974): 24-28.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Henerson, Clayton Wilson

Year: 1974
Complete Citation:
Henerson, Clayton Wilson. “Structural Importance of Borrowed Music in the Works of Charles Ives: A Preliminary Assessment.” In Report of the Eleventh Congress of the International Musicological Society held at Copenhagen, 1972, ed. Henrik Glahn et al., Vol. 1, 437-46. Copenhagen: Edition W. Hansen, 1974.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Hirsch, Edward

Year: 1986
Complete Citation:
Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” The Geor-gia Review.
Source: Poem
Reprints:

Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” In <i>Wild Gratitude</i>. Knopf Poetry Series, 21. New York, NY: Alfred A. Knopf, 1986: 30--33.

XIII. Ives in Literature
A. Poetry

Hitchcock, H. Wiley

Year: 1992
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives and the spiritual “In the morning”/Give me Jesus.” In New Perspectives on Music: Essays in Honor of Eileen Southern, edited by Josephine Wright with Samuel Floyd, Jr. Warren MI: Harmonie Park Press, 1992, 163-71.
VI. Topical Studies
B. Musical Quotation or Borrowing

Hoffman, Daniel

Year: 1970
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Broken Laws. New York, New York: Oxford University Press, 1970.
Source: Poem
Reprints:

Reprint: Beyond Silence: Selected Shorter Poems, 1948-2003. Baton Rouge: Louisiana State University Press, 2003: 181.

XIII. Ives in Literature
A. Poetry
Year: 1977
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Able was I ere I saw Elba: selected poems, 1954-74. London, United Kingdom: Hutchinson, 1977.
Source: Poem
XIII. Ives in Literature
A. Poetry