Image
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Bibliography
Genres
Warburton, Thomas
Year: 1999
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ward, Charles
Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.Notes:
Unpublished Master’s Thesis
Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Weiss, Mark
Year: 1977
Complete Citation:
Weiss, Mark. “A Meditation on Charles Ives.” Boston, MA: Heron Press, 1977.Notes:
Poem with woodcut portrait by Bruce Chandler. Available at the Library of Congress, LC 98192956, Portfolio 313, No. 84, Washington D.C. Also available at the Ephemon Collection, New York Public Library, New York, NY.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Williams, Jonathan
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3, no. 2 (Spring/Summer 1975): 350-373.Source: Book
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 350-373.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “Part Two: Essays Before a Sonata.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 353--373.Notes:
An extended poem in outline form, divided into six sections parallel to Ives's Essays Before a Sonata {All}.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Yother, Mark
Year: 1975
Complete Citation:
Yother, Mark. “Letters to the Editor: Ives Demurrers.” Stereo Review (June 1975) 34/6: 6.Notes:
A poem (very negative in tone) in response to William Anderson's editorial, “Composer Charles Ives Enters History.” <i>Review </i>34/3 <i>(</i>March 1975): 4.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Zobel, Mark Alan
Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
no author listed
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Notes:
Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).
Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing