Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Andriessen, Louis
Year: 1977
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Ballantine, Christopher
Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballentine, Christopher
Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Banyai, Istvan
Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
Berlin, Edward
Year: 2002
Complete Citation:
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
Year: 1980
Complete Citation:
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a Sonata (49).
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Bower, Tim
Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.Source: Caricature
Reprints: Reproduced: announcement for an American Composers Orchestra concert.
XVI. Photographs and Artwork
B. Artwork
Breger, Leonard
Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.Notes: Includes a likeness of Ives.
Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork
Brotman, Adolf E.
Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.Notes: Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Burkholder, J. Peter
Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation:
Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Burkholder, Peter
Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Chandler, Bruce
Complete Citation:
Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.Source: Woodcut portrait
XVI. Photographs and Artwork
B. Artwork
Cober, Alan E.
Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
Dattel, Michel
Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).Notes: “A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”
Source: Mixed media
XVI. Photographs and Artwork
B. Artwork
de Leeuw, Reinbert
Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Dickinson, Peter
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.Notes: Ives is in-cluded in list of composers influenced by ragtime.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
