decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Watson, Leda

Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.
Notes:

Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].

Source: Collage
XVI. Photographs and Artwork
B. Artwork

Zobel, Mark Alan

Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”
Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing

no author listed

Complete Citation:
Drawing. National Portrait Gallery, Smithsonian Institution, Washington, DC.
Notes:

Based on the (double exposure) snapshot of Ives and Mandeville Mullally in their room at Yale University, 76 South Middle Street. The photograph is held in the Charles Ives Papers, Yale University.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Complete Citation:
W. L. Sketch. Milwaukee Journal Green Sheet. June 23, 1948.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Year: 1954
Complete Citation:
Death Mask. Sculptrue, 1954. Danbury, CT: Danbury Museum and Historical Society (formerly Scott--Fanton Museum).
Source: Sculpture
Reprints:

In <i>A Charles Ives Omnibus</i>, by James Mack Burk and Michael J. Budds, 59. Hillsdale, New York: Pendragon Press, 2008.

XVI. Photographs and Artwork
B. Artwork
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
Various drawings and sketches, 1997. United States Post Office, September 12, 1997.
Notes:

Designed for special first- day covers for the United States postage stamp.

Source: Sketches/Drawings
XVI. Photographs and Artwork
B. Artwork