Adams, John
Year: 1994
Complete Citation:
Adams, John. “Ives: The Amount to Carry.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
D. Insurance
Bolcolm, William
Year: 1988
Complete Citation:
Bolcolm, William. “Of Ives, Music and Insurance.” The New York Times, March 13, 1988.Source: Newspaper
VI. Topical Studies
D. Insurance
Bond, Victoria
Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.Source: Journal
VI. Topical Studies
R. Performance Approaches
Clough, Stephen B.
Year: 1946
Complete Citation:
Clough, Stephen B. A Century of American Life Insurance, A History of The Mutual Life Insurance Company of New York, 1843-1943, 282. New York, NY: Columbia University Press, 1946.Source: Book
VI. Topical Studies
D. Insurance
Copland, Aaron
Year: 1960
Complete Citation:
Copland, Aaron. “A Businessman Who Wrote Music on Sundays.” Music and Musicians 9/18 (November 1960).Source: Journal
VI. Topical Studies
D. Insurance
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
Dickey, Jessica
Year: 2015
Complete Citation:
Dickey, Jessica. Charles Ives Take Me Home. London, United Kingdom: Samuel French, 2015.Notes: Published stage play
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Etheridge, Elizabeth
Year: 1991
Complete Citation:
Etheridge, Elizabeth. “Ives the Insurance man.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
D. Insurance
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
Grimes, William
Year: 1994
Complete Citation:
Grimes, William. “Artists’ Insurance Policies Tell All.” The New York Times, February 5, 1994.Source: Newspaper
VI. Topical Studies
D. Insurance
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
Henry, Derrick
Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Ives, Charles
Year: 1920
Complete Citation:
Ives, Charles. How to Read the Rate Book. New York, NY: Ives & Myrick, 1920.Source: Book
VI. Topical Studies
D. Insurance
Karolyi, Otto
Year: 1996
Complete Citation:
Karolyi, Otto. Modern American Music from Charles Ives to the Mini-malists, 9-20. Teaneck, NJ: Fairleigh Dickinson University Press, 1996.Source: Chapter in Book
VI. Topical Studies
D. Insurance
Keough, James
Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Majoros, David, compiler
Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-Notes: Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
