Image
Complete Citation:
Abdul, Raoul. “Cleveland premieres Ives’ Emerson Concerto.” Amsterdam News. October 15, 1998, 20.
Bibliography
Genres
Abdul, Raoul
Year: 1998
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Abell, Arthur M.
Year: 1964
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.Source: Book
Reprints:
Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Acker, Emma
Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Adorno, Theodor W.
Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.Notes:
Relates Ives to Mahler.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Albèra, Philippe
Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Alburger, Mark
Year: 2000
Complete Citation:
Alburger, Mark. “Concert Reviews: Marin Symphony Goes All-American.” 21st Century Music, Vol. 7, No. 6 (2000): 25.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Alburger, Mark. “Two Visionaries in Two Centuries [Concert Review].” 21st Century Music, Vol. 9, No. 4 (2002): 6-7.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Alburger, Mark. “Concert Reviews: Three (or Four) Great Orchestrators; Symphonies from Symphony.” 21st Century Music, Vol. 10, No. 10 (2003): 6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Allen, Andrew J.
Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Allison, John
Year: 2003
Complete Citation:
Allison, John. “CBSO/Wolff: Final 5 Edition.” Times (London, England), January 17, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Almen, Byron, and Robert Hatten
Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Alves, Bill and Brett Campbell
Year: 2017
Complete Citation:
Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Amarante, Joe
Year: 2014
Complete Citation:
Amarante, Joe. “James Sinclair and ONE Mark 40 Years with Birthday Bash of Ives.” McClatchy - Tribune Business News, March 6, 2014.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Anderson, Martin
Year: 2000
Complete Citation:
Anderson, Martin. “First Performances: Proms-The Rest of the Premières.” Tempo (2000): 32-35.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Andrade Malde, Julio
Year: 2014
Complete Citation:
Andrade Malde, Julio. “Actualidad nacional: Final breve con algunos extras.” Scherzo: Revista de Música, Vol. 29 (2014): 19.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Andreyeva, Victoria
Year: 2000
Complete Citation:
Andreyeva, Victoria. “Concert Reviews: Microtonal Music on Prechistenka Street.” 21st Century Music, Vol. 7, No. 9 (2000): 20-21.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Angermann, Klaus, and Barbara Barthelmes
Year: 1984
Complete Citation:
Angermann, Klaus and Barbara Barthelmes. “Die Idee des klingenden Raumes seit Satie.” In Musik zwischen E und U: ein Prolog und sieben Kon- gressbeitrage, edited by Ekkehard Jost, 107-126. Veroffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt Vol. 25. Mainz, Germany: Schott, 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Anthony, Michael
Year: 2004
Complete Citation:
Anthony, Michael. “SPCO Delves into Mysteries of Universe; Beethoven Paired Nicely with Ives’ ‘Unanswered Question’: Metro Edition.” Star Tribune, February 8, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Arlen, Walter
Year: 1962
Complete Citation:
Arlen, Walter. “Ives’ ‘Concord’ Sonata Highlight of Concert.” Los Angeles Times, November 21, 1962, D7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Arlen, Walter. “Ives Symphony Immortalized.” Los Angeles Times, November 7, 1965: B19.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances