Image
Complete Citation:
List, Kurt. “Ode to Napoleon (Schoenberg).” Modern Music 21/3 (March--April 1944): 144.
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Year: 1944
Source: Journal
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Complete Citation:
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Complete Citation:
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Complete Citation:
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Complete Citation:
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Complete Citation:
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Complete Citation:
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Complete Citation:
McCorkle, Donald, ed. “The Composer in Academia: Reflections on a Theme of Stravinsky.” College Music Symposium, Vol. 10 (Fall 1970): 57-58. Notes:
<a target="_blank" href="https://symposium.music.org/index.php/10/item/1674-the-composer-in-acad… mentions of Ives. Published online at https://symposium.music.org/index.php/10/item/1674-the-composer-in-acad…;
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Complete Citation:
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Complete Citation:
Mead, Rita H. Henry. “Cowell’s “New Music,” 1925-36: The Society, the Music Editions and the Recordings.” Studies in Musicology No. 40. Ann Arbor, MI: UMI Research Press, 1981.Source: Book
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Complete Citation:
Mead, Rita H. “Henry Cowell’s New Music.” The Journal of Musicology 1, No. 4 (October 1982).Source: Journal
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Complete Citation:
Mead, Rita H. “The Amazing Mr. Cowell.” American Music 1/4 (Winter 1983): 63-89.Source: Journal
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E. Comparisons and Relationships with Other Composers, Artists, and Writers
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Complete Citation:
Méfano, Paul. “Méfano, Paul (1937).” In Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 174-176. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Journal
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Complete Citation:
Mellers, Wilfrid. “American Music (An English Perspective).” Kenyon Review 5/3 (Summer 1943): 357-375.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers