Kramer, Lawrence
Year: 1978
Complete Citation:
Kramer, Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal, vol. 2, no. 3/4 (1978): 3-15.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1978, 1988
Complete Citation:
Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” The Wallace Stevens Journal
Vol. 2, No. 3/4 (Fall 1978): 3-15.Source: Journal
Reprints: Kramer, Lawrence. ““A Completely New Set of Objects”: The Spirit of Place in Wallace Stevens and Charles Ives.” In <i>Critical Essays on Wallace Stevens</i>, edited by Steven Gould Axelrod and Helen Deese. Boston, MA: G.K. Hall, 1988.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Kramer, Lawrence. “A Completely New Set of Objects.” In Music and Poetry: The Nineteenth Century and After, 171-202. Berkeley, CA: University of California Press. 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “The American Scene.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kramer, Leighton
Year: 1981
Complete Citation:
Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kupferberg, Herbert
Year: 1974
Complete Citation:
Kupferberg, Herbert. “Ives Centennial Hits Crescendo.” National Observer, October 26, 1974: 26.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
La Motte-Haber, Helga de
Year: 1986
Complete Citation:
La Motte-Haber, Helga de. “Zum Raum wird hier die Zeit.” Osterreichische Musikzeitschrift 41/6 (June 1986): 282-288.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambert. J. Philip
Year: 1989
Complete Citation:
Lambert. J. Philip. “Communications.” Journal of the American Musicological Society 42/1 (Spring 1989): 204-209.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Lambert, J. Philip
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambourn, David
Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Larson, Thomas
Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lash, Dominic
Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lea, Henry
Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lederman, Minna
Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1983
Complete Citation:
Lederman, Minna. The Life and Death of a Small Magazine (Modern Music, 1924-46). No. 18. I.S.A.M. Monographs. Brooklyn: Institute for Studies in American Music, 1983.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Liebenau, Horst
Year: 1993
Complete Citation:
Liebenau, Horst. “Bernhard Herrmanns Filmmusik fur Psycho.” Musikpädagogische Forschungsherichte 1993: 356-369.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lipkis, Laurence Alan
Year: 1984
Complete Citation:
Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers