Stevenson, Robert
Year: 1978
Complete Citation:
Stevenson, Robert. “American Musical Scholarship: Parker to Thayer.” 19th- Century Music 1, no.3 (March 1978): 191--210.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Stout, Jesseca
Year: 2016
Complete Citation:
Stout, Jesseca. “‘Swinging Sound of Cymbals’: Symphonic Form in ‘A Winter Walk.’” The Thoreau Society Bulletin, no. 292 (2016): 1-2.Source: Bulletin
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Straus, Noel
Year: 1940
Complete Citation:
Straus, Noel. “Composers Unite: Contemporaries Join in Venture to Publish Their Own Scores.” The New York Times, September 22, 1940 sec. 9, 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stravinsky, Igor and Craft, Robert
Year: 1962
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Expositions and Developments, 92, 97-99, 104. Garden City, NY: Doubleday, 1962.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Themes and Episodes, 15-16, 48. 106, 154. New York, NY: Alfred A. Knopf, 1966.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Retrospectives and Conclusions, 30-32. New York, NY: Alfred A. Knopf, 1969.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Swafford, Jan
Year: 2003
Complete Citation:
Swafford, Jan. “Friday Review: Inventing America: In the Late 19th Century, the United States was a Nation without a Musical Tradition - Until Czech Composer Antonin Dvorak Suggested it Look to the ‘Negro Melodies.’ Jan Swafford Chronicles the Quest for a Voice.” The Guardian, September 26, 2003, 9.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Swanson, Alan
Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica (2001/2002): 71-90.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Swed, Mark
Year: 1992
Complete Citation:
Swed, Mark. “Henry Brant and His Space-Time Music.” The Wall Street Journal, 1992.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tangeman, Robert
Year: 1945
Complete Citation:
Tangeman, Robert. “The Songs of Theodore Chanler.” Modern Music (May-June 1945) 22/4: 227.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tanner, Michael
Year: 2019
Complete Citation:
Tanner, Michael. “Classical: Lili and Nadia Boulanger/ Charles Ives.” The Spectator (2019).Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Taruskin, Richard
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” The New York Times. May 16, 2004, sec. 2: 26, 28.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2009
Complete Citation:
Taruskin, Richard. “Corraling a Herd of Musical Mavericks.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 153-160. Berkeley, CA: University of California Press, 2009.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 186-190. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2010
Complete Citation:
Taruskin, Richard. Music in the Early Twentieth Century, 243-302. Volume 4 of Oxford History of Western Music. New York, NY: Oxford University Press, 2010.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Tawa, Nicholas E.
Year: 1984
Complete Citation:
Tawa, Nicholas E. Serenading the Reluctant Eagle: American Musical Life, 1925-1945. New York, NY: Schirmer [Macmillan], 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Tawa, Nicholas E. “Ives and the New England School.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 51-72. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers