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Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Bibliography
Genres
Miller, Ashleé Michele
Year: 2016
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Miller, Edward Oehler
Year: 1970
Complete Citation:
Miller, Edward Oehler. “The Dilemma of Charles Ives.” A.B. honors thesis, Harvard University, 1970.Source: A.B. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Miller, Leta E.
Year: 2006
Complete Citation:
Miller, Leta E. “Henry Cowell and John Cage: Intersections and Influences, 1933-1941.” Journal of the American Musicological Society, vol. 59, no. 1 (2006): 47-112.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Miller, Leta E., and Rob Collins
Year: 2005
Complete Citation:
Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Miller, Sarah Bryan
Year: 2004
Complete Citation:
Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.Notes:
Various editors chose important artists in sev-eral fields. The classical music editor chose Ives as one of two classical composers in a collective article. [The other chosen was opera com- poser Carlisle Floyd.]
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Milligan, Terry Gilbert
Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Misener, Katharine L.
Year: 2000
Complete Citation:
Misener, Katharine L. “Ives as Innovator? Considerations of Sources, Biography, and Style for His Songs Based on Models.” M.A. thesis, University of Ottawa 2000.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Misener, Katharine Lynn
Year: 2000
Complete Citation:
Misener, Katharine Lynn. “Ives as innovator?: considerations of sources, biography, and style for his songs based on models.” M.A. Thesis, University of Ottawa, 2000.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Mitchell, Rosanne
Year: 1971
Complete Citation:
Mitchell, Rosanne. “Contributions of Charles Ives to contemporary American song literature.” M.A. Thesis, Texas Woman's University, 1971.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Moldenhauer, Hans
Year: 1979
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.Notes:
Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moldenhauer, Hans, and Rosaleen Moldenhauer
Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Monnier, Verena
Year: 2002
Complete Citation:
Monnier, Verena. “Die Einheit in der Vielfalt: Analyse der “Studies” für Klavier von Charles E. Ives.” Magisterarbeit Thesis, Freiburg im Breisgau: Albert-Ludwigs-Universität, 2002.Source: Magisterarbeit Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Montague, Stephen Rowley
Year: 1967
Complete Citation:
Montague, Stephen Rowley. “The simple and complex in selected works of Charles Ives.” M.M. Thesis, Florida State University, 1967.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Moon, Wallace G.
Year: 1971
Complete Citation:
Moon, Wallace G. “Charles E. Ives: two works explored.” M.A. Thesis, Eastern Illinois University, 1971.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Moore, MacDonald Smith
Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.Source: Ph. D. Disseration
Reprints:
Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Moore, Ralph Joseph, Jr.
Year: 1954
Complete Citation:
Moore, Ralph Joseph, Jr. “The Background and the Symbol: Charles E. Ives, a Case Study in the History of American Cultural Expression.” Senior Essay, American Studies Department, Yale College, 1954.Notes:
Unpublished
Source: Unpublished senior thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
Morehouse, Christopher
Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.Notes:
Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Morgan, Phillip
Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Morgan, Robert P.
Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers