Image
Complete Citation:
Rathert, Wolfgang. “The seen and unseen: Studien zum Werk von Charles Ives.” Ph.D. diss., Freie Universität Berlin, 1987.
Bibliography
Genres
Rathert, Wolfgang
Year: 1991
Source: Ph.D. Dissertation
Reprints:
Rathert, Wolfgang. <i>The seen and unseen: Studien zum Werk von Charles Ives</i>. Berliner musikwissenscaftliche Arbeiten 38. Munich, Germany: Musikverlag Emil Katzbichler, 1991.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Raynes, Bethany
Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rayson, John Baird
Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Reed, Joseph W.
Year: 1984
Complete Citation:
Reed, Joseph W. Three American Originals: John Ford, William Faulkner, & Charles Ives. Middletown, CT: Wesleyan University Press, 1984.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reis, Claire Raphel
Year: 1938
Complete Citation:
Reis, Claire Raphel. Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912--1937, 146-147. New York, NY: Macmillan. Third Edition, 1938.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reich, Howard
Year: 1987
Complete Citation:
Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.Notes:
In this article about Slonimsky there are several references to his associa-tion with Ives (among others) and his work with Ives and his composi-tions, including remarks about the chamber version of Orchestral Set No. 1: Three Places in New England.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reichert, Linda
Year: 1996
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Reitz, Howard D.
Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Retallack, Joan, ed.
Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma
Year: 1977
Complete Citation:
Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 187-208. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rich, Alan
Year: 1995
Complete Citation:
Rich, Alan. American Pioneers: Ives to Cage and Beyond. London, United Kingdom: Phaidon, 1995.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rickey, Carrie
Year: 1978
Complete Citation:
Rickey, Carrie. “Fashion/Style/Custom: Alan Cote and David Diao.” Artforum 17 (October 1978): 30-34.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Riepe, Russell
Year: 1969
Complete Citation:
Riepe, Russell. “Charles Ives: Robert Browning Overture.” M.A. Thesis, University of Rochester, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Riley, Owen Howard
Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rinehart, John McLain
Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Robinson, Bradley Craig
Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Robinson, David B.
Year: 1977
Complete Citation:
Robinson, David B. “Children of the Fire: Charles Ives on Emerson and Art.” American Literature 48 (1977): 564-76.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Robinson, David B. “Children of the fire: Charles Ives on Emerson and Art.” In On Emerson. Durham, NC: Duke University Press, 1991.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Robison, Richard William
Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations