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Bibliography

Serio, John N.

Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Service, Jr., Alfred Roy

Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.
Notes:

Ives is one of seven-teen composers discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sherwood, Gayle D.

Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Shreffler, Anne

Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.
Notes:

See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shreffler, Anne Chatoney

Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shultis, Christopher

Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shultis, Christopher L.

Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Simms, Bryan R.

Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sinclair, James B.

Year: 2004
Complete Citation:
Sinclair, James B. “Riordinare il genio.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.
Notes:

Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sinclair, James, James Tocco, and Kenneth Singleton

Year: 1993
Complete Citation:
Sinclair, James, James Tocco, and Kenneth Singleton. “Panel Discussions: Evolving Performance Practice in the Music of Ives and Copland.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Skinner, Myles L.

Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.
Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sly, Caroline Ware

Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Slominsky, Nicholas

Year: 1994
Complete Citation:
Slominsky, Nicolas. “Charles Ives.” In Perfect Pitch, edited by Richard Kostelanetz. New York: Schirmer Books, 1994.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Slonimsky, Nicolas

Year: 1948
Complete Citation:
Slonimsky, Nicolas. “A Thing or Two about Music.” In Prophet of Music to Come, 207-210. New York, NY: Allen, Towne & Heath.
Source: Chapter in Book
Reprints:

Slonimsky, Nicolas. “A Thing or Two about Music.” In <i>Slonimsky's Book of Musical Anecdotes</i>, edited by Electra Slonimsky Yourke, 207-210. New York, NY: Routledge, 2002.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers