Slonimsky, Nicolas
Year: 1976
Complete Citation:
Slonimsky, Nicolas. “Working with Ives.” Program booklet of the South Florida Ives Festival, 1974-76.Source: Program Booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Slonimsky, Nicolas. Perfect Pitch: A Life Story. Oxford, United Kingdom: Oxford Uni-versity Press, 1988.Notes: Expanded edition adds a letter to Slonimsky’s wife of March 17, 1932 (247) and “Ives” (279-280). Original proposed title was Failed Wunderkind: A Rueful Autopsy. Recalls meeting Ives and working with him on Three Places in New England for con-certs in Boston, New York, Havana, Paris, and Berlin.
Source: Book
Reprints: Slonimsky, Nicolas. <i>Perfect Pitch: A Life Story</i>, edited by Electra Slonimsky Yourke. Expanded edition. New York, NY: Schirmer Trade Books, 2002.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slottow, Stephen
Year: 2003
Complete Citation:
Slottow, Stephen. “Wayward Compositional Procedure in the Music of Carl Ruggles.” Newsletter - Institute for Studies in American Music XXXIII, no. 1 (October 2003).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slottow, Stephen P.
Year: 2009
Complete Citation:
Slottow, Stephen P. “A vast simplicity: the music of Carl Ruggles.” Hillsdale, NY: Pendragon Press, 2009.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Small, Christopher
Year: 1973
Complete Citation:
Small, Christopher. “Words on Music—Ives and Varese.” Music in Education 37/362 (1973): 187-188.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, David Stanley
Year: 1930
Complete Citation:
Smith, David Stanley. “A Study of Horatio Parker.” Musical Quarterly 16 (April, 1930): 153-163.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, Moses
Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, Rebecca E.
Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Smith, William A.
Year: 1983
Complete Citation:
Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
So, Carolyn U.
Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sole, Kenneth Gale
Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sonntag, Dawn Lenore
Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Spackman, S. G. F.
Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Spaide, Christopher Addison
Year: 2011
Complete Citation:
Spaide, Christopher Addison. “Building a home: four portraits in twentieth-century American music.” B.A. thesis, Amherst College, 2011.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Spiker, John D.
Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stace, Stephen
Year: 1974
Complete Citation:
Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Staebler, Roger Allen
Year: 1959
Complete Citation:
Staebler, Roger Allen. “Charles Ives: An Evaluation of His Aesthetic Philosophy.” M.M. thesis, University of Cincinnati, 1959.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stambler, Bernard
Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Starr, Larry
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers