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Bibliography

Slonimsky, Nicolas

Year: 1976
Complete Citation:
Slonimsky, Nicolas. “Working with Ives.” Program booklet of the South Florida Ives Festival, 1974-76.
Source: Program Booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Slonimsky, Nicolas. Perfect Pitch: A Life Story. Oxford, United Kingdom: Oxford Uni-versity Press, 1988.
Notes:

Expanded edition adds a letter to Slonimsky’s wife of March 17, 1932 (247) and “Ives” (279-280). Original proposed title was Failed Wunderkind: A Rueful Autopsy. Recalls meeting Ives and working with him on Three Places in New England for con-certs in Boston, New York, Havana, Paris, and Berlin.

Source: Book
Reprints:

Slonimsky, Nicolas. <i>Perfect Pitch: A Life Story</i>, edited by Electra Slonimsky Yourke. Expanded edition. New York, NY: Schirmer Trade Books, 2002.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Slottow, Stephen

Year: 2003
Complete Citation:
Slottow, Stephen. “Wayward Compositional Procedure in the Music of Carl Ruggles.” Newsletter - Institute for Studies in American Music XXXIII, no. 1 (October 2003).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Slottow, Stephen P.

Year: 2009
Complete Citation:
Slottow, Stephen P. “A vast simplicity: the music of Carl Ruggles.” Hillsdale, NY: Pendragon Press, 2009.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Small, Christopher

Year: 1973
Complete Citation:
Small, Christopher. “Words on Music—Ives and Varese.” Music in Education 37/362 (1973): 187-188.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, David Stanley

Year: 1930
Complete Citation:
Smith, David Stanley. “A Study of Horatio Parker.” Musical Quarterly 16 (April, 1930): 153-163.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, Moses

Year: 1947
Complete Citation:
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Smith, Rebecca E.

Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.
Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Smith, William A.

Year: 1983
Complete Citation:
Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

So, Carolyn U.

Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sole, Kenneth Gale

Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sonntag, Dawn Lenore

Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Spackman, S. G. F.

Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spaide, Christopher Addison

Year: 2011
Complete Citation:
Spaide, Christopher Addison. “Building a home: four portraits in twentieth-century American music.” B.A. thesis, Amherst College, 2011.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Spiker, John D.

Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stace, Stephen

Year: 1974
Complete Citation:
Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.
Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Staebler, Roger Allen

Year: 1959
Complete Citation:
Staebler, Roger Allen. “Charles Ives: An Evaluation of His Aesthetic Philosophy.” M.M. thesis, University of Cincinnati, 1959.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stambler, Bernard

Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Starr, Larry

Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers