Image
Complete Citation:
Carter, Elliott. “Stravinsky and Other Moderns in 1940.” Modern Music 17/3 (March-April 1940): 164-170.
Bibliography
Genres
Carter, Elliott
Year: 1940
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Carter, Elliott. “Shop Talk by an American Composer.” The Musical Quarterly XLVI (April 1960): 189-201.Source: Journal
Reprints:
Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 51-63. New York, NY: W. W. Norton, 1962. * Carter, Elliott. “Shop Talk by an American Composer.” In <i>Problems of Modem Music</i>, edited by Paul Henry Lang, 262-273. New York, NY: W. W. Norton, 1962. New York, NY: Holt, Rinehart and Winston, 1967. * Carter, Elliott. “Shop Talk by an American Composer.” <i>Twentieth-Century Views of Music History</i>, edited by Edwin Hays, 412-424. New York, NY: Charles Scribner’s Sons, 1972.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1977
Complete Citation:
Carter, Elliott. The Writings of Elliott Carter: An American Composer looks at Modern Music, compiled, edited and annotated by Else and Kurt Stone. Bloomington, IN: Indiana University Press, 1977.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2011
Complete Citation:
Carter, Elliott. “Elliott Carter (1908).” Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 42-44. Woodbridge, United Kingdom: Boydell and Brewer, 2011.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cash, Alice H.
Year: 1991
Complete Citation:
Cash, Alice H. “Feminist Theory and Music: Toward a Common Language School of Music University of Minnesota Minneapolis — 26-30 June 1991.” The Journal of Musicology 9/4 (1991): 521-532.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Catmull, Joan Carol
Complete Citation:
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A. thesis, Brigham Young University, 1969.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Charles, Daniel
Year: 1994
Complete Citation:
Charles, Daniel. Musketaquid: John Cage, Charles Ives und der Transzendentalismus. Berlin, Germany: Merve-Verlag, 1994.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chau, Paul S.
Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Chavez, Carlos
Year: 1962
Complete Citation:
Chávez, Carlos. “Ives y Copland.” Clave, Voz de la Juventud Musical Uruguaya 49 (August--September 1962): 19--23.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chernosky, Louise E.
Year: 2014
Complete Citation:
Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chernov, Eric B.
Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Chien, Gloria
Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cizmic, Maria
Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Clarke, Gary E.
Year: 1965
Complete Citation:
Clarke, Gary E. "A study of the music of Charles Edward Ives.” B.A. thesis, Cornell College, 1965.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Clark, Philip Steven
Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Clark, Sondra Rae
Year: 1972
Complete Citation:
Clark, Sondra Rae. “The Evolving Concord Sonata: A Study of Choices and Variants in the Music of Charles Ives.” Ph.D. diss., Stanford University, 1972.Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Clooney, Denise von Glahn
Year: 1995
Complete Citation:
Clooney, Denise von Glahn. “Reconciliations: Time, Space, and the American Place in Music of Charles Ives.” Ph.D. diss., University of Washington, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Coakley, John P.
Year: 1982
Complete Citation:
Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cohen, Jacob
Year: 2017
Complete Citation:
Cohen, Jacob. “Constructions of New England Identity and Place in American Music, 1885-1935.” Graduate Center, CUNY, 2017.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cole, Michael S.
Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses