Image
Complete Citation:
Hamm, Charles and Peter Winkler. “Interview with Charles Hamm.” Review of Popular Music 1 (1985): 8-10.
Bibliography
Genres
Hamm, Charles and Peter Winkler
Year: 1985
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hamm, Chelsey
Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Hamm, Chelsey L.
Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Harley, Maria Anna
Year: 1997
Complete Citation:
Harley, Maria Anna. “An American in Space: Henry Brant's ‘Spatial Music.’” American Music 15 (Spring 1997): 70-92.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Harris, Ellen T.
Year: 1990
Complete Citation:
Harris, Ellen T. “Integrity and Improvisation in the Music of Handel.” Journal of Musicology 8/3 (Summer 1990): 301-315.Notes:
Emphasizes Ives’s use of existing materials (312-313).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Harrison, Lou
Year: 1945
Complete Citation:
Harrison, Lou. “On the Choros of Villa-Lobos.” Modern Music 22/2 (Janu-ary-February 1945): 85--86.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Harrison, Lou. “The Rich and Varied New York Scene.” Modern Music 22/3 (March--April 1945): 181--185.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Harrison, Lou. “Reflections at a Spa.” Modern Music XXIII, 4 (Fall 1946): 297-298.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Harrison, Lou. “Ives, Ruggles, Varèse.” View 5/4 (November 1945): 11.Source: Journal
Reprints:
Harrison, Lou. “Ives, Ruggles, Varèse.” <i>Soundings</i>: (Spring 1974): 1-4.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Harrison, Lou. “‘Such Melodies and Clutter’: Thoughts Around Ives, 1974.” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Harrison, Lou. [1945] 1987. “Ruggles, Ives, Varese.” In View (1945). A Lou Harrison Reader,16--17. Edited by Peter Garland. Reprint, Santa Fe: Soundings Press, 1987.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Harvey, Mark Sumner
Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.Source: Ph.D. Dissertation
Reprints:
Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Harvin, Laurence E.
Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann
Year: 2004
Complete Citation:
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.Source: Festival
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Helms, Hans G.
Year: 1974
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives — Leben, Werk und Einfluß auf die heutige Generation.” Neue Zeitschrift für Musik 125/10 [1964]: 425-433.Source: Journal
Reprints:
Helms, Hans G. “Der Komponist Charles Ives.” Liner notes for <i>Die Welt des Charles Ives</i>. CBS 77406, 1974, LP.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Henahan, Donal
Year: 1970
Complete Citation:
Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.Notes:
“Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Henahan, Donald
Year: 1981
Complete Citation:
Henahan, Donald. “Wave Your Banner! Sound Your Trumpet! (If You Want Your Favorite Composer to Achieve Immortality and Become the Next Mahler or Ives).” The New York Times, February 8, 1981, sec. 2, 1, 25.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Henderson, Clayton
Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Henderson, Joyce Joy
Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations