Image
Complete Citation:
Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.
Bibliography
Genres
Miller, Leta E., and Rob Collins
Year: 2005
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Miller, Sarah Bryan
Year: 2004
Complete Citation:
Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.Notes:
Various editors chose important artists in sev-eral fields. The classical music editor chose Ives as one of two classical composers in a collective article. [The other chosen was opera com- poser Carlisle Floyd.]
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Milligan, Terry Gilbert
Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Moldenhauer, Hans
Year: 1979
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.Notes:
Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moldenhauer, Hans, and Rosaleen Moldenhauer
Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moore, MacDonald Smith
Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.Source: Ph. D. Disseration
Reprints:
Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Morehouse, Christopher
Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.Notes:
Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Morgan, Phillip
Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Morgan, Robert P.
Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2015
Complete Citation:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
Reprints:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In <i>Music theory, analysis, and society: selected essays</i>. Surrey, England: Ashgate, 2015.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Morton, Lawrence
Year: 1945
Complete Citation:
Morton, Lawrence. “Jerome Moross; Young Man Goes Native.” Mod-ern Music 22/2 (January-February 1945): 111--114.Notes:
A review of an all -Ives program with some songs (October 30, 1944: Los Angeles. “Evenings on the Roof”; Elizabeth Vermeulen, voice; Frances Mullen, piano).
Source: Journal (Concert Review)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Müller, Hermann Christoph
Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mulligan, Terry Gilbert
Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Mumper, Dwight Robert
Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Mundy, Rachel
Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Muñiz, Jorge
Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.Notes:
Includes references to Ives.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Musgrave, Thea
Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nagano, Kent
Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nicholls, David Roy
Year: 1986
Complete Citation:
Nicholls, David Roy. “New and Experimental Compositional Tech- niques in American Music from Charles Ives to the Second World War.” Ph.D. diss., University of Cambridge, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations