Image
decorative banner image

Bibliography

Tippett, Michael and Meirion Bowen

Year: 1995
Complete Citation:
Tippett, Michael and Meirion Bowen. “Charles Ives.” In Tippett on Music. Oxford, United Kingdom: Clarendon Press, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Tosser, Grégoire

Year: 2002
Complete Citation:
Tosser, Grégoire. “Links and Ligatures: György Kurtág’s “Ligatura-Message to Frances-Marie (The Answered Unanswered Question),” op. 31b.” Studia Musicologica: Academiae Scientiarum Hungaricae, Vol. 43, No. 3-4 (2002): 439-449.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Tryon, Winthrop P.

Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927, 6.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1927
Complete Citation:
Tryon, Winthrop P. “Of Ives and Others.” Christian Science Monitor, February 3, 1927.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Utz, Christian

Year: 2005
Complete Citation:
Utz, Christian. “Bernd Alois Zimmermann und Charles Ives: Schichtungsverfahren, Intertextualität, kulturelle Verotung.” In Bernd Alois Zimmermann, Zeitauffassung und musikalische Poetik. Munich, Germany: Edition Text + Kritik, 2005.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Vaquero Williams, Claire

Year: 2013
Complete Citation:
Vaquero Williams, Claire. “Discos: Compra segura.” Scherzo: Revista de Música, Vol. 28 (2013): 53.
Source: Magazine (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Varley, Dennis Matthew

Year: 1983
Complete Citation:
Varley, Dennis Matthew. “Charles E. Ives and Second pianoforte sonata, Concord, Mass., 1840-1860.” D.M.A. thesis, University of Colorado, 1983.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Vastano, Robert Guy

Year: 2002
Complete Citation:
Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Vermeulen, Ernst

Year: 1968
Complete Citation:
Vermeulen, Ernst. “Compositions by Louis Andriessen and Peter Schat Incorporating Quotations.” Sonorum Speculum (Summer 1968) 35: 1-12.
Notes:

Compares quotations by Louis Andriessen and Peter Schatt with some aspects of Ives’s use of quotation. In English and in Dutch.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Vinay, Gianfranco

Year: 1998
Complete Citation:
Vinay, Gianfranco. “Le “son américain” entre utopie et tradition: á l'origine de la musique expérimentale américain (Ives et Cowell).” Revue Belge de Musicologie: Belgisch Tijdschrift voor Muziekwetenschap, Vol. 52 (1998): 91-100.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Vinay, Gianfranco. “Charles Ives tra nostalgia e Utopia.” Il Giornale della Musica 20/204 (May 2004): 26.
Notes:

Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Walker, Gwyneth

Year: 1976
Complete Citation:
Walker, Gwyneth. “Tradition and the breaking of tradition in the string quartets of Ives and Schoenberg.” D.M.A. thesis, Hartt School of Music, University of Hartford, 1976.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wallach, Laurence

Year: 1973
Complete Citation:
Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Walton, Scott

Year: 2003
Complete Citation:
Walton, Scott. “An improvisational reading of Charles Ives's Concord sonata.” D.M.A. thesis, University of California, San Diego, 2003.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ward, Charles Wilson

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ward, Keith C.

Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ward, Keith Charles

Year: 1985
Complete Citation:
Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Waxman, Jonathan

Year: 2012
Complete Citation:
Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Webb, John

Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.
Notes:

Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Weischollek, Dirk

Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers