Image
Complete Citation:
White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.
Bibliography
Genres
White, Bruce Howard
Year: 1978
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
White, Michael J.
Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wiecki, Ronald Victor
Year: 1992
Complete Citation:
Wiecki, Ronald V. “Two Musical Idealists—Charles Ives and E. Robert Schmitz: A Friendship Reconsidered.” American Music, 10/1 (Spring 1992): 1-19.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wild, Chris
Year: 2018
Complete Citation:
Wild, Chris. “Charles Ives’ Three Places in New England: An Interpretation and a Conductor’s Guide.” Bienen School of Music, Northwestern University, 2018.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wilson-Dickson, Andrew
Year: 2003
Complete Citation:
Wilson-Dickson, Andrew. “The United States and the European classical tradition: Charles Ives.” In The story of Christian music: an illustrated guide to all the major traditions of music in worship. Oxford, United Kingdom: Lion, 2003.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wilson, Donald M.
Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wilson, Lawrence
Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wilson, P.T.
Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Winters, Thomas Dyer
Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wintle, Christopher, and Kate Hopkins, eds.
Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson with a Note on Charles Ives.” In BBC Music in the Glock Era and After: A Memoir, edited by Christopher Wintle and Kate Hopkins. Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wolf, Henry Samuel
Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.Notes:
Ives is one of eight com-posers whose sonatas are discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Wright, James K. And Allyson Wright
Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wuorinen, Charles
Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes:
Includes several acerbic remarks about Ives and his music.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Yates, Peter
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Young, Douglas
Year: 1972
Complete Citation:
Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Young III, Harmon Griffith
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Zobel, Mark A.
Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.Notes:
The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
no author listed
Year: 1928
Complete Citation:
“Associacion Panamericana de Compositores." Musicalia [Havana] 1/1 (May--June): 29-30.Notes:
A notice of this newly- formed organization; indicates that the group performs works by Ives and others. Henry Cowell is the director; Nicolas Slonimsky, the conductor.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
“New York Artists Reshape America over the Week End.” New York Herald Tribune, July 10, 1932, sec. 1, 14.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers