Image
Complete Citation:
Buhles, Günter. “Amerikanische Komponisten: von Charles Ives and Charles Ruggles bis John Cage and Morton Feldman.” Das Orchester (September 2000): 2.
Bibliography
Genres
Buhles, Günter
Year: 2000
Notes:
<a target="_blank" href="https://dasorchester.de/artikel/amerikanische-komponisten-von-charles-i… at https://dasorchester.de/artikel/amerikanische-komponisten-von-charles-i…;
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Buhles, Günter. “Amerikanische Individualisten: Komposition--von Charles Ives und Duke Ellington bis Thelonious Monk und John Cage.” Jazz Podium, Vol. 50, No. 1 (2001): 12-14.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bukoff, Ronald N.
Year: 1986
Complete Citation:
Bukoff, Ronald N. “Abstract: The Young Composers’ Group and Mr. Ives.” Sonneck Society for American Music Bulletin 12 (Fall 1986): 79-80.Source: Abstract
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Burkholder, J. Peter
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.Source: Ph.D. dissertation
Reprints:
Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Rethinking the Turn of the Century: Mahler and Ives.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Nineteenth-Century European Tradition.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 11-33. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Burkholder, J. Peter. “Un americano figlio dell’Europa.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Burkholder, J. Peter, James Sinclair, and Kenneth Singleton
Year: 1993
Complete Citation:
Burkholder, J. Peter, James Sinclair, and Kenneth Singleton. “Panel Discussions: The Influence of Popular Music on the Works of Ives and Cop-land.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Burton, Humphrey
Year: 1994
Complete Citation:
Burton, Humphrey. Leonard Bernstein. London, United Kingdom: Faber and Faber, 1994.Notes:
Discusses Symphony No. 2 (p. 205 and 299).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Butterworth, Neil
Year: 1985
Complete Citation:
Butterworth, Neil. The Music of Aaron Copland, 118, 170, 179, 191. London, United Kingdom: Toccata Press, 1985.Notes:
Cites Copland’s early insights into music of Ives, includ-ing “the major weakness of Ives through his lack of self-criticism.”
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Cage, John
Complete Citation:
Cage, John. “Two Statements on Ives.” In A Year from Monday: New Lectures and Writings, 36-42. Middletown, CT: Wesleyan University Press, 1967.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The East in the West.” Modern Music 23/2 (Spring 1946): 111--115.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The Dream and Dedications of George Antheil.” Modern Music 23/1 (Winter 1946): 78-79.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Cage, John. "History of Experimental Music in the United States." In Silence. Middletown, CT: Wesleyan University Press, 1961.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
“Two Statements on Ives.” In John Cage. A Year from Monday: New Lectures and Writings, 36-42. Middle-town, CT: Wesleyan University Press, 1967.Notes:
Includes a letter to Michael O. Zahn of Milwaukee.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Cage, John. A Year from Monday: New Lectures and Writings, 42. Middletown, CT: Wesleyan University Press, 1967.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Cage, John Cage. Notations. West Glover, VT: Something Else Press, 1969.Notes:
Exam-ples of composers’ manuscripts. Includes a reproduction of a blank page of music paper with Charles Ives's signature.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1979
Complete Citation:
Cage, John. "The Future of Music." In Empty Words. Middletown, CT: Wesleyan University Press, 1979, 179-180.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers