Ballard, Lincoln M.
Year: 2001
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “L’eccentrico assicuratore Ives” (24--25). Il Giornale della Musica 20/204 (May 2004): 24--26.Notes: Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bardi, Aloma, ed.
Year: 2004
Complete Citation:
Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.Notes: A group of articles for the fiftieth anni-versary of Ives’s death. Color photograph of Ives by George Grayson Tyler on the cover. [Ives: Father of the New Century].
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Baron, Carol K.
Year: 2003
Complete Citation:
Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bassi, Adriano
Year: 1998
Complete Citation:
Bassi, Adriano. “Da Gershwin ad Ives nell’America del ‘900.” Ras- segna musicale curci quadrimestrale 51 (May 1998): 33--35.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beal, Amy C.
Year: 2008
Complete Citation:
Beal, Amy C. “Experimentalists and Independents are Favored: John Edmunds in Conversation with Peter Yates and John Cage, 1959-1961.” Notes 64, no. 4 (June 2008): 659-687.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Beck, Jay L.
Year: 1983
Complete Citation:
Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beck, Nancy Ann
Year: 1977
Complete Citation:
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beckerman, Michael
Year: 2003
Complete Citation:
Beckerman, Michael. New Worlds of Dvorak: Searching in America for the Composer’s Inner Life. New York, NY: W.W. Norton, 2003.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bell, Michael
Year: 2009
Complete Citation:
Bell, Michael. “CD Reviews: “Variations on America.”” Organists’ Review, Vol. 95, No. 4 (2009): 83.Source: Journal (recording review)
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bengford, Timothy J.
Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Benkelman, Robert Jon
Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Berger, Arthur
Year: 1933
Complete Citation:
Berger, Arthur. “The Young Composer's Group.” Trend 2 (April-June 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1949
Complete Citation:
Berger, Arthur. “Contemporary Music Society.” New York Herald Tribune, April 26, 1949: 18.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Berger, Arthur V.
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers’ Group.” Trend 2 (April-June, 1933): 26-28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
Berger, Arthur V. “The Young Composers Group.” Trend 2/1 (April--June 1933): 26--28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1951
Complete Citation:
Berger, Arthur V. “League of Composers.” New York Herald Tribune, April 7, 1951, 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bermúdez, Santiago Martín
Year: 2007
Complete Citation:
Bermúdez, Santiago Martín. “Encuentros: Henri Dutilleux - “Lo importante es eschuchar algo que te sorprenda.”” Scherzo: Revista de Música, Vol. 22 (2007): 140-142.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Berneking, Vicki Lynn
Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bernstein, Leonard
Year: 1976
Complete Citation:
Bernstein, Leonard. The Unanswered Question: Six Talks at Harvard. Cambridge, MA: Harvard University Press, 1976.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers