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Bibliography

Petzet, John M.

Year: 2011
Complete Citation:
Petzet, John M. “Matthew Harris’s Shakespeare Songs The Bard's Lyrics Meet American Popular Music.” Choral Journal, Vol. 52, No. 1 (2011): 34-49.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pinotti, Cintia Maria Annichino

Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.
Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Pollack, Howard

Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pouzzi, Raffaele, and Louise Forster

Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pütz, Werner, Peter Virnich, and Peter Winz-Luckei

Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Quackenbush, Margaret Diane

Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ramey, Phillip

Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.
Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rao, Nancy Yunhwa

Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rarig, Howard Raymond

Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rathert, Wolfgang

Year: 1983
Complete Citation:
Rathert, Wolfgang. “Musik als Philosophie—Ives und Cage in der Nachfolge des Transzendentalismus.” In Der Hang zum Gesamtkunstwerk: Europäische Utopien seit 1800, 53-59. Berlin, Germany: Berliner Künstlerprogramm des DAAD, 1983.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.
Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Raynes, Bethany

Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rayson, John Baird

Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. Three American Originals: John Ford, William Faulkner, & Charles Ives. Middletown, CT: Wesleyan University Press, 1984.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reis, Claire Raphel

Year: 1938
Complete Citation:
Reis, Claire Raphel. Composers in America: Biographical Sketches of Living Composers with a Record of Their Works, 1912--1937, 146-147. New York, NY: Macmillan. Third Edition, 1938.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Reich, Howard

Year: 1987
Complete Citation:
Reich, Howard. “Classical Secrets: Nicolas Slonimsky’s Highbrow Writings Raise Eyebrows.” Chicago Tribune 13, April 26, 1987, 16-17.
Notes:

In this article about Slonimsky there are several references to his associa-tion with Ives (among others) and his work with Ives and his composi-tions, including remarks about the chamber version of Orchestral Set No. 1: Three Places in New England.

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Retallack, Joan, ed.

Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers