Image
Complete Citation:
Abbot, Christopher. “Ives: “An American Journey.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 6 (2002): 142-144.
Bibliography
Genres
Abbot, Christopher
Year: 2002
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2003
Complete Citation:
Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Abell, Arthur M.
Year: 1964
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.Source: Book
Reprints:
Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Acker, Emma
Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Adorno, Theodor W.
Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.Notes:
Relates Ives to Mahler.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Alan M. Kriegsman
Year: 1968
Complete Citation:
Kriegsman, Alan M. “A.U.’s Mandel to Unveil Ives Piano Works.” The Washington Post and Times Herald, March 17, 1968, G8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Allen, Andrew J.
Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Alves, Bill and Brett Campbell
Year: 2017
Complete Citation:
Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Anderson, Colin
Year: 2007
Complete Citation:
Anderson, Colin. “Classical Recordings: Ives - Symphony No. 1, Symphony No. 4, “Central Park in the Dark.”” Fanfare (January 2007).Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Anderson, Rick
Year: 2003
Complete Citation:
Anderson, Rick. “Charles Ives (Sound Recording Review).” Notes, vol. 60, no. 2 (2003): 517.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1979
Complete Citation:
Anderson, William. “Advice to Young Composers.” Stereo Review 43/3 (September 1979): 6.Notes:
The advice he gives is similar to description of Ives: don't “teach at a university,” get “a job in insurance and compose on the side... [and] avoid modern-music concert. ... The method hasn't even been tried, as far as I know, since Charles Ives.”
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Angermann, Klaus, and Barbara Barthelmes
Year: 1984
Complete Citation:
Angermann, Klaus and Barbara Barthelmes. “Die Idee des klingenden Raumes seit Satie.” In Musik zwischen E und U: ein Prolog und sieben Kon- gressbeitrage, edited by Ekkehard Jost, 107-126. Veroffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt Vol. 25. Mainz, Germany: Schott, 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ansell, Derek
Year: 2007
Complete Citation:
Ansell, Derek. “Record Reviews: Jamie Baum Septet - “Moving Forward Standing Still.”” Jazz Journal International, Vol. 60, No. 2 (2007): 16.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Archibald, Bruce
Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Arlen, Walter
Year: 1966
Complete Citation:
Arlen, Walter. “New Discs show Ives Interest on Upswing.” Los Angeles Times, June 19, 1966: B25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Asia, Daniel
Year: 2013
Complete Citation:
Asia, Daniel. “Copland—Music and Imagination: A Review and Commentary.” Academic Questions 26, no. 2 (Summer 2013): 212-219.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Auerbach, Brent
Year: 2009
Complete Citation:
Auerbach, Brent. “Guide to Records - Ives: Piano Sonata 1; McDonald: “Meditation Before a Sonata: Dew Cloth, Dream Drapery”; Nielsen: Suite, Op 45.” American Record Guide, Vol. 72, No. 6 (2009): 124-125.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Auerbach, Brent. “Responses to Ives.” American Record Guide, Vol. 73, No. 4 (2010): 228-229.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices