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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1997
Complete Citation:
“Spooky Superlatives for Boulder Concert.” Denver Post, November 1, 1997, B-03.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1999
Complete Citation:
Tucker, Dan. “Universalizing Ives Deutsche Kammerphilharmonie a Match for Music: Chicago Sports Final Edition.” Chicago Tribune, November 2, 1999.
Notes:

Special to the Tribune

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
“Concord Days.” The New York Times, May 9, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
“On Stage a Stand-Up Kind of Guy; Musical Notes Ives of March. SPECIAL EVENTS Eve’s Dropping. NEXT WEEK Iron, Silk and Ink: HOME Edition.” Daily Breeze, March 30, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Friday Review: Classical CD: Ives: From the Steeples and the Mountains; the Unanswered Question; Three Places in New England; Songs.” The Guardian, March 22, 2002, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
“Evening the Score for Charles Ives: FINAL Edition.” The Washington Post, March 17, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2002
Complete Citation:
“Ives Still has Bite.” Herald Sun (Melbourne, Victoria, Australia), June 18, 2002, 55.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“Compact Discs: Klavier im Quadrat.” Dissonanz (2002): 38.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
“Footlights: Marching to Many Beats.” The New York Times, August 15, 2002, E1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
“The Great American Innovator.” Daily Post [Conwy, Wales], June 7, 2002, 24.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
“Charles Ives; on Record.” Sunday Times (London, England), October 19, 2003: 24.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
“Let’s Hear it First for Ives.” Birmingham Evening Mail, January 15, 2003, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
“Friday Review: Music Review: Classical CD Releases: Body and Soul: Andrew Clements on Kovacevichs Triumphant Rendition of Beethovens Sonatas, an Unconventional Take on Bach and the Rest of the Weeks Releases: Ives: Emerson Concerto; Symphony no 1 Feinberg/National Symphony of Ireland/Sinclair (Naxos).” The Guardian, October 24, 2003, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
“The Best Classical CD’s of 2004; Ives: Songs, ‘Concord’ Sonata.” The New York Times, December 12, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
A Century of Composing in America: 1820-1920, The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
“Philharmonic Review; Finding Iconoclastic Playmates for Ives, that Musical Loner.” The New York Times, May 13, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
“Charles Ives; on Record.” Sunday Times, May 9, 2004, 24.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
“Charles Ives Wrote it His Way; Blaze Your Path: Maverick Composer Ignored Critics to Create New Harmonies.” Investor’s Business Daily, October 21, 2004, A04.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances