Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ivashkin, Alexander
Year: 2013
Complete Citation:
Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ives, Charles
Year: 1971
Complete Citation:
Ives, Charles. “Thoreau.” In Henry David Thoreau: a profile. New York, NY: Hill and Wang, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Jack, Adrian
Year: 1974
Complete Citation:
Jack, Adrian. “Ives, Symphonies.” Records and Recording 18/1 (October 1974): 47-48.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Jack, Adrian. “Ives Recordings.” Records and Recording 18/2 (November 1974): 81.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Jack, Adrian. “Charles Ives, The Celestial Country.” Records and Recording 18/6 (March 1975): 62.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jackson, K. David
Year: 2015
Complete Citation:
“Machado and the Spectacle of the World.” In Machado De Assis: A Literary Life, by K. David Jackson, 281-300. New Haven, CT: Yale University Press, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Jacobson, Bernard
Year: 1966
Complete Citation:
Jacobson, Bernard. “Zukovsky and Kalish Play Ives.” High Fidelity/Musical America 16, no. 4 (April 1966): 152.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Jacobson, Bernard. “American Symphony Orchestra: Stokowski.” High Fidelity/Musical America 17, no. 3 (March 1967), p. 16.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1969
Complete Citation:
Jacobson, Bernard. “The ‘In’ Composers: Mahler, Ives, Nielsen, Sibelius, Vivaldi, Berlioz—Are They Permanent Classics or Just Temporary Fads?” High Fidelity/Musical America 19/7 (July 1969): 54-57.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Jacobson, Bernard. “Schuman: Violin Concerto. “New England Triptych.” Ives-Schuman: Variations on “America.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 1 (2001): 267-268.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “The Want List 2001: Bernard Jacobson.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 2 (2001): 113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jaffe, Daniel
Year: 1997
Complete Citation:
Jaffe, Daniel. “Names for the Millennium: Marc-André Hamelin.” Classic CD (1997): 42.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jepson, Barbara
Year: 2019
Complete Citation:
Jepson, Barbara. “Composers Who found Inspiration in the Vernacular; Michael Tilson Thomas and the San Francisco Symphony Offer a New Recording of Charles Ives Music; Violinist Rachel Barton Pine Plays Concertos by Antonín Dvořák and Aram Khachaturian.” The Wall Street Journal, November 13, 2019.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Bret
Year: 2009
Complete Citation:
Johnson, Bret. “CD Reviews: Corigliano; Jones; Giannini; Schuller; Daugherty; “Abraham Lincoln Portraits.”” Tempo, Vol. 63 (2009): 86-88.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Lawrence A.
Year: 2005
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: “Universe Symphony (Ed. Reinhard).”” Gramophone, Vol. 83 (2005): A7.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: Symphony, “Holidays”; “The General Slocum”; Overture in G Minor; “Yale-Princeton Football Game”; Postlude in F Minor.” Gramophone, Vol. 87 (2010): A7-A8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Lawrence B.
Year: 1996
Complete Citation:
Johnson, Lawrence B. “Finding the Poetry Amid Ives’s Hurly-Burly.” The New York Times. August 25, 1996, sec 2: 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnston, Walter E.
Year: 1985
Complete Citation:
Johnston. Walter. “Style in W.C. Williams and Charles Ives.” 20th Century Literature 31 (Spring 1985): 127-136.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1985
Complete Citation:
Johnston, Walter E. “Style in W. C. Williams and Charles Ives.” Twentieth Century Literature, vol. 31, no. 1 (1985): 127-136.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
