Betz, Marianne
Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Buckley, Dan
Year: 1998
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Eatock, Colin
Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Elkus, Jonathan
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Henahan, Donal
Year: 1990
Complete Citation:
Henahan, Donal. “The Polysided Views of Ives’s Polytonality.” The New York Times. June 10, 1990.Source: Newspaper
VI. Topical Studies
F. Polytonality
Jolly, James
Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.Notes: A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
McCarrell, Stuart
Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Noubel, Max
Year: 2011
Complete Citation:
Noubel, Max. “La polytonalité dans l'œuvre de Charles Ives.” In Polytonalités, edited by Philippe Malhaire, Danièle Pistone, and Véronique Alexandre Journeau. Paris, France: Éditions L’Harmattan, 2011.Source: Chapter in Book
VI. Topical Studies
F. Polytonality
Rosenfeld, Paul
Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Seibert, Donald C.
Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Von Glahn, Denise
Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Wyatt, Judith
Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.Notes: Book review for “The Beaux Arts Trio: A Portrait”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
no author listed
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.Source: Letter
VI. Topical Studies
M. Ives and Manhattan