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Bibliography

Hume, Paul

Year: 1974
Complete Citation:
Hume, Paul. “Piano Sonatas.” The Washington Post, October 15, 1974: B11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1977
Complete Citation:
Hume, Paul. “An Evening of Wagner, Debussy and Ives: Music Notes.” The Washington Post, November 22, 1977, B8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1979
Complete Citation:
Hume, Paul. “An Ear for Charles Ives’ Words and Notes.” Washington Post. March 11, 1979, sec. I, 5.
Notes:

Brief overview of Ives and his music as back- ground to forthcoming program by Chamber Orchestra of New England (James Sinclair, conductor).

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Huntington, Anna

Year: Pre-1966
Complete Citation:
Huntington, Anna. Bronze bust. Sculpture, 1966. Danbury, CT: Danbury Museum and Histori-cal Society (formerly Scott--Fanton Museum). Photograph in HiFi/Stereo Review 17/1 (July 1966): 72.
Source: Sculpture
Reprints:

Another is in the lobby of the Charles Ives Recital Hall, Western Connecticut State College, Dan-bury.

XVI. Photographs and Artwork
B. Artwork

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hurley, Frank H.

Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.
Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hurst, Rolland W.

Year: 1971
Complete Citation:
Hurst, Rolland W. “A Study, Analysis and Performance of Selected Songs by Charles Ives.” Ph.D. diss., Columbia University, 1971.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hüsken, Renata

Year: 1980
Complete Citation:
Hüsken, Renata. “Charles Ives' ‘Robert Browning Overture.’” Neuland 1 (1980): 16-24.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Hutchinson, Mary Ann

Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” M.M. thesis, Florida State University, Tallahassee, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” Master’s diss., Florida State University, 1970.
Source: Master’s Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Hutton, Edna Rait

Complete Citation:
Hutton, Edna Rait. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Pan Pipes (January 1972) 64/2: 30.
III. Book-Length Studies
C. Book Reviews
Year: 1955
Complete Citation:
Hutton, Edna Rait. “Charles Ives-America's Musical Prophet.” Pan Pipes 46/2 (January 1955): 20-21.
Notes:

An obituary.

Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes Vol. 55, No. 2. (January 1963).
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1965
Complete Citation:
Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1971
Complete Citation:
Hutton, Edna Rait. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Pan Pipes 63/2 (January 1971): 29.
III. Book-Length Studies
C. Book Reviews

Huxhold, John

Year: 2010
Complete Citation:
Huxhold, John. “Concerts Everywhere: St. Louis Symphony - Tippett: “A Child of Our Time.”” American Record Guide, Vol. 73, No. 1 (2010): 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hwang, Mi K.

Year: 2009
Complete Citation:
Hwang, Mi K. “Elements of Jazz Style in Twentieth-Century American Organ Works: Selected Works of Charles Ives, William Albright, and William Bolcom.” D.M.A. thesis, University of Arizona, 2009.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations