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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Searle, Humphrey

Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.
Notes:

Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Seaton, Douglass

Year: 1991
Complete Citation:
Seaton, Douglass. “An American Original: Charles Ives.” In Ideas and styles in the Western musical tradition. Mountain View, CA: Mayfield Publishing Company, 1991.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Sebastian, John

Year: 1939
Complete Citation:
Sebastian, John. “Charles Ives at Last.” New Masses, February 7, 1939, 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Seckerson, Edward

Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Secrest, Meryle

Year: 1994
Complete Citation:
Secrest, Meryle. Leonard Bernstein: A Life, 249, 268. New York, NY: Alfred A. Knopf, 1994.
Notes:

Discusses Symphony No. 2 and The Unanswered Question in Russia.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Seeger, Charles

Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1939
Complete Citation:
Seeger, Charles. “Grass Roots for American Composers.” Modern Music 16 (March-April 1939): 143-149.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Seeger, Charles. “Charles Ives and Carl Ruggles.” Magazine of Art 32 (July 1939): 396-399, 435-437.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Seeger, Charles. “Henry Cowell.” Magazine of Art 33 (May 1940): 288-89, 322-25, 327.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Seibert, Donald C.

Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Selch, Frederick R.

Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.
Notes:

In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.

Source: Journal
VI. Topical Studies
L. Ives and America

Sellars, James E.

Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Selnick, P.

Year: 1949
Complete Citation:
Selnick, P. Sketch. New York Times Magazine (1949 October 23): 15.
Source: Magazine
XVI. Photographs and Artwork
B. Artwork

Semler, Isabella Parker

Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sender, Shelby L.

Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Serebrier, José

Year: 1974
Complete Citation:
Serebrier, José. “Ives the Most Difficult Ever.” Music Journal 32. no. 7 (September 1974): 14-15.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews