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Bibliography

Genres

I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Canning, Hugh

Year: 1931
Complete Citation:
Canning, Hugh. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), September 18, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cantrell, Scott

Year: 1996
Complete Citation:
Cantrell, Scott. “New Ear Will Present Selections from Composer Charles Ives.” Kansas City Star. January 21, sec. I, 8.
Notes:

Announcement of an all-Ives program given by a contemporary music ensemble at St. Mary’s Episcopal Church, Kansas City. The concert included songs, instrumental pieces (some arranged for this group), and readings from <i>Essays Before a Sonata </i>as “Essays Before an Audience” with various accompaniments.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Cantrell, Scott. “Series Returns Spotlight to Charles Ives.” Dallas Morning News, November 26, 2000, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Cantrell, Scott. “Composer Inspired a World of Possibilities: DSO Con-cert Will Honor Musical Pioneer Charles Ives.” Dallas Morning News, September 20, 2004, sec. E, 4.
Notes:

A general article announcing performances by the Dallas Symphony Orchestra of Symphonies Nos. 2 and 3 and Orches-tral Set No. 1: Three Places in New England.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cantrick, Susan Birdsall

Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cardieu, Martine

Year: 1977
Complete Citation:
Cardieu, Martine. “Charles Ives, or America of the ‘First Romance.’” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 238-241. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Cariaga, Daniel

Year: 2003
Complete Citation:
Cariaga, Daniel. “Music Review; Ives Finds Splendid Exponent in Svrcek: HOME EDITION.” The Los Angeles Times, April 17, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Carl, Robert

Year: 2002
Complete Citation:
Carl, Robert. “Ives: “3 Places in New England,” Ruggles: “Sun-Treader,” Piston: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 1 (2002): 282-283.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Carleton, Chantal

Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carlson, Michael

Year: 1996
Complete Citation:
Michael Carlson. “The Discomposing Composer.” Specta-tor 277/8781, November 2, 1996, 44.
Notes:

“[H]is marvelous ‘From Hanover Square North’ ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Paul Bollinger

Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carman, Judith

Year: 2005
Complete Citation:
Carman, Judith. “Music Reviews: Some Things Old, All Things New: Miscellaneous Collections and Anthologies - American: “Ives, Charles (1874-1954). 129 Songs, edited by H. Wiley Hitchcock.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 62, No. 1 (2005): 107-108.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Carpenter, Patricia

Year: 1967
Complete Citation:
Carpenter, Patricia. “The Musical Object.” Current Musicology, No. 5 (1967).
Source: Journal
V. General Music Studies
C. Other

Carr, Cassandra Irene

Year: 1989
Complete Citation:
Carr, Cassandra I. “Charles Ives's Humor as Reflected in His Songs.” Amer-ican Music 7/2 (Summer 1989): 123-139.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Carson, Gerald

Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Carter, Eilliot

Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Carter, Elliot

Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.
Notes:

A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers