Bibliography

Dickinson, Peter

Year: 1989

Complete Citation:

Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.

Source: Journal

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1993

Complete Citation:

Dickinson, Peter. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Music & Letters 74/1 (1993): 116-117.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1994

Complete Citation:

Dickinson, Peter. “Emily Dickinson and Music.” Music & Letters 75/2 (May 1994): 241-245.

Notes:

Only a passing quotation about Ives by Copland at the opening recital of the Charles Ives Centennial Festival-Confer-ence: “How could that man write that music?”

Source: Journal

XIII. Ives in Literature
A. Poetry

Year: 1996

Complete Citation:

Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.

Source: Book/Lecture

VI. Topical Studies
G. Music Theory Analyses

Year: 1999

Complete Citation:

Dickinson, Peter. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Music and Letters 80/3 (August 1999): 479-82.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 2000

Complete Citation:

Dickinson, Peter. “Reviews: Chamber - R Clarke; Ives.” Gramophone, Vol. 78 (2000): 71.

Source: Magazine (recording review)

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2006

Complete Citation:

Dickinson, Peter. “Hitchcock's Ives: A New Edition of 129 Songs.” Music & Letters, vol. 87, no. 4 (2006): 606-613.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 2006

Complete Citation:

Dickinson, Peter. “Reviews: Orchestral - Ives.” Gramophone, Vol. 84 (2006): 76.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2007

Complete Citation:

Dickinson, Peter. “Reviews: Chamber - Ives: “Three Page Sonata”; Three Quarter-Tone Pieces for Two Pianos; Wyschnegradsky: “Etude sur le ‘Carré Magique Sonore’”; 24 Preludes in Quarter-Tone System - Nos. 1, 4, 5, 7, 9, 14, 17-18, 20, 23-24.” Gramophone, Vol. 84 (2007): 81.

Source: Magazine (recording review)

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2009

Complete Citation:

Dickinson, Peter. “Review of Ives Thrives.” Tempo 63/249 (2009): 75-77.

Source: Journal

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Year: 2009

Complete Citation:

Dickinson, Peter. “Reviews: Vocal - Ives: “The Light That Is Felt.”” Gramophone, Vol. 86 (2009): 96-97.

Source: Journal (recording review)

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2009

Complete Citation:

Dickinson, Peter. “Book Reviews: Ives Thrives: Books, Editions and Recordings.” Tempo, Vol. 63 (2009): 75-77.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 2010

Complete Citation:

Dickinson, Peter. “Reviews: Orchestral - Schuman: Symphony No. 8; “Night Journey”; Ives/Schuman: Variations on “America.”” Gramophone, Vol. 88 (2010): 67.

Source: Journal (recording review)

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2010

Complete Citation:

Dickinson, Peter. “Instrumental Reviews: “Responses to Ives.”” Gramophone, Vol. 88 (2010): 75.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2011

Complete Citation:

Dickinson, Peter. Review of The Third Symphony of Charles Ives, by Mark Zobel. Music & Letters, Vol. 92, No. 1 (2011): 168-171.

Source: Journal

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 2013

Complete Citation:

Dickinson, Peter. “Charles E. Ives, Symphony No. 4. Edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Charles Ives Society Performance Edition, 2011. Realized and edited by Thomas M. Brodhead…” Music & Letters, Vol. 94, No. 2 (2013): 360-362.

Source: Journal (edition review)

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Year: 2015

Complete Citation:

Dickinson, Peter. “Orchestral Reviews: Ives - Symphonies - No. 1; No. 2.” Gramophone, Vol. 92 (2015): 32.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2016

Complete Citation:

Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 2016

Complete Citation:

Dickinson, Peter. “Orchestral Reviews: Ives - “Orchestral Works,” Vol. 2.” Gramophone, Vol. 93 (2016): 30.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

DiMaggio, Kenneth

Year: 2013

Complete Citation:

DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.

Source: Chapter in Book

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Bibliography

Genres

Dickinson, Peter

DiMaggio, Kenneth