VI. Topical Studies

Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.

Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.

Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.

Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.

Courrier, Kevin. Dangerous kitchen: the subversive world of Zappa. Toronto, Canada: ECW Press, 2002.

Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.

Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.

Mellers, Wilfrid. “Postlude: Charles Ives and the new world.” In Romanticism and the 20th century, from 1800. Fair Lawn, NJ: Essential Books, 1957.

Borroff, Edith. “Charles Ives.” In Music melting round: a history of music in the United States. Lanham, MD: Scarecrow Press, 2003.

Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.