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Young III, Harmon Griffith 1995

  • Read more about Young III, Harmon Griffith 1995
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.

Waxman, Jonathan 2012

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Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.

Strobel, Sandra Lee In progress (2020)

  • Read more about Strobel, Sandra Lee In progress (2020)
Strobel, Sandra Lee. “The Organ Music of Charles Edward Ives.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2020 (in progress).

Strack, Sandra S. 2013

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Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.

Stieglitz-Goffre, Anne-Marie 1982

  • Read more about Stieglitz-Goffre, Anne-Marie 1982
Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.

Shultis, Christopher L. 1993

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Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.

Schulz, Thomas 2020 (in progress)

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Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).

Miller, Ashleé Michele 2016

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Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.

Fessel, Pablo 2006

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Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.

Davis, Joel Scott 2011

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Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.

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