George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.

Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.

Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.

Z., Pamela. “Concert Reviews: Talking Music at Davies Hall.” 21st Century Music, Vol. 7, No. 8 (2000): 21-22.

Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.

Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.

Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.

Kozinn, Allan. “Honoring Bernstein and His American Roots.” The New York Times. 1998: E5.

Schulz, Reinhard. Kulturpartisanen im Land von Freedom and Democracy: Osterfestival in Innsbruck mit dem Motto “Das bessere Amerika.” Neue Musikzeitung, Vol. 50, No. 5 (2001): 39.

Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.