Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.

Fairfield, Patrick. “‘Representations of Femininity in the Songs of Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.

Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.

“Charles Ives.” Papers presented at a session at the Thirty--second Conference of the Society for American Music

Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.

Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.

Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.

Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.

Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.

Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.