All About Ives. Twentieth Annual Focus! Festival: Commemorating the 50th Anniversary of Charles Ives’ Death; Joel Sachs, director. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.

Myers, Eric. “The Crooked Mirror: New Temporalities in Ives, Mes-siean, and Feldman.” M.A. thesis, Mills College, 2003.

Graefe, Emily. “Charles Ives and Transcendentalism in His 114 Songs.” B.A. senior honors thesis, Boston College, 2003.

Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia, MO; First United Methodist Church).

Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.

Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.

Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.

Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.

James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.

Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.