Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.

Evans, Margaret R. Sacred Cantatas: An Annotated Bibliography, 1960-1979, 75. Jefferson, NC: McFarland & Company, 1982.

Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.

Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.

Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.

Lück, Hartmut. “‘Immer an der Grenze zur Unspielbarkeit’/Kauziger Sonderling und musikalischer Revolutionar: Der amerikanische Komponist Charles Ives.” Musik und Medizin 8/3 (February 1982): 55-58, 61.

Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.

Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.

Ivashkin, Aleksandr. “Charlz Aivz.” In Muzykal'naia zhizn’. Charl'z Aivz: Muzyka XX Veka. Zarubezhnaia Muzyka Mastera XX Veka Series. Moskva: Sovietskij Kompozitor, 1981.

Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola- A Discussion of Their Styles and Forms.” D. Mus. dissertation, Indiana University, 1981.