Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.

Morgan, Robert P. “Let’s Hear It from Charlie Ives!” High Fidelity 24, no. 10 (October 1974): 79-81.

McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.

Rakhmamova, M. “Charl’z Ayvs.” Sovetskaya Muzyka 35 (June 1971): 97-108.

Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.

Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.

Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” M.M. thesis, Florida State University, Tallahassee, 1970.

Drew, James. “Modern Music and the Debt to Charles Ives. Parts I and II.” Yale Reports. December 27, 1970 and January 3, 1971.

Austin, William W. “Contemporaries in America, Australia, Japan.” In Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.

Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.