Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.

Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.

“We, the Rebels.” In Mavericks and Other Traditions in American Music, by Michael Broyles. Yale University Press (2004): 1-10.

Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.

Jay, Maurice. “Original Sin, Existential Absurdity, and a Song by Charles Ives.” Prairie Schooner, vol. 38, no. 3 (1964): 265-266.

Herzfeld, Gregor. “Nancarrows Erhabene Zeitspiele.” Archiv Für Musikwissenschaft, vol. 64, no. 4 (2007): 285-305.

Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.

“Correction: Charles Ives 1874-1954.” The Choral Journal, vol. 15, no. 4 (1974): 12.

Andrew Love. “Improvising Their Future: Shamanic Hope in Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen.” Tempo, vol. 60, no. 237 (2006): 24-32.

Grout, Donald J. “Report on the New York Meeting of the International Musicological Society / Rapport Sur La Session De La Société Internationale De Musicologie à New York / Bericht Über Den New Yorker Kongreß Der Internationalen Gesellschaft Für Musikwissenschaft.” In The World of Music, vol. 3, no. 6 (1961): 139-140.