Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.

Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.

Simon, Robert A. “Review of the week’s music.” Robert A. Simon's Review of the Week’s Music. The New Yorker, March 7, 1942, 47

Schorske, Carl. “Mahler et Ives: Archaisme populiste et innovation musicale.” In Colloque Internationale Gustav Mahler 1985, 87-97. Paris, France: Société Gustav Mahler, 1986.

Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.

Wennerstrom, Mary. Anthology of Twentieth-Century Music. New York, NY: Appleton-Century-Crofts, 1969.

Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.

Simon, Robert A. “Musical Events: Plenty Going On.” The New Yorker, 1942.

Simon, Robert A. “American Music—Swing Drops in— Recitalists.” New Yorker, January 28, 1939, 44-45.

Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.