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Johnson, Owen 1912

  • Read more about Johnson, Owen 1912
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.

Thurmaier, David American Music 2014

  • Read more about Thurmaier, David American Music 2014
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.

Burkholder, J. Peter Journal of Musicological Research 2012

  • Read more about Burkholder, J. Peter Journal of Musicological Research 2012
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.

Hepokoski, James Musical Times 1994

  • Read more about Hepokoski, James Musical Times 1994
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.

Sherwood, Gayle Choral Journal 2003

  • Read more about Sherwood, Gayle Choral Journal 2003
Sherwood, Gayle. “Charles Ives and the American Choral Tradition.” Choral Journal 43.8 (March 2003): 27-32.

Whitesell, Lloyd American Music 1994

  • Read more about Whitesell, Lloyd American Music 1994
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.

Murphy, Scott Twentieth Century Music 2008

  • Read more about Murphy, Scott Twentieth Century Music 2008
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.

Bruhn, Christopher Journal of Musicology 2011

  • Read more about Bruhn, Christopher Journal of Musicology 2011
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.

Magee, Gayle Sherwood 2010

  • Read more about Magee, Gayle Sherwood 2010
Magee, Gayle Sherwood. Charles Ives: A Research and Information Guide. New York, NY: Routledge, 2002.

Johnson, Marc E. American Music 2002

  • Read more about Johnson, Marc E. American Music 2002
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.

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