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Downes, Olin The New York Times 1925

  • Read more about Downes, Olin The New York Times 1925
Downes, Olin. “Franco-American Musical Society.” The New York Times. February 15, 1925.

Daniel, Oliver Dodd, Mead, and Company 1982

  • Read more about Daniel, Oliver Dodd, Mead, and Company 1982
Daniel, Oliver. Stokowski: A Counterpoint of View. New York, NY: Dodd, Mead, and Company, 1982.

Crunden, Robert M. Mod-ernism -Modernity 1997

  • Read more about Crunden, Robert M. Mod-ernism -Modernity 1997
Crunden, Robert M. 1997. Review of Charles Ives: A Life with Music, by Jan Swafford. Modernism/Modernity 4, no. 3 (September 1997): 154-159.

Cowell, Henry Sackbut 1925

  • Read more about Cowell, Henry Sackbut 1925
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.

Cowell, Henry Musical America 1925

  • Read more about Cowell, Henry Musical America 1925
Cowell, Henry. “America Takes a Front Rank in Year’s Modernist Output.” Musical America 41, no. 23 (March 28, 1925): 5, 35.

Copland, Aaron and Vivian Perlis 1984

  • Read more about Copland, Aaron and Vivian Perlis 1984
Copland, Aaron, and Vivian Perlis. Copland: 1900 through 1942. New York, NY: St. Mar-tin’s Griffin, 1984.

Copland, Aaron 1952

  • Read more about Copland, Aaron 1952
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.

Chase, Gilbert 1977

  • Read more about Chase, Gilbert 1977
Chase, Gilbert. “Ives and American Culture.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.

Chase, Gilbert 1977

  • Read more about Chase, Gilbert 1977
Chase, Gilbert. “Introduction.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.

Burkholder, J. Peter Notes 1994

  • Read more about Burkholder, J. Peter Notes 1994
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.

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