Downes, Olin The New York Times 1927 Read more about Downes, Olin The New York Times 1927 Downes, Olin. "Music (Review of Ives’s Fourth Symphony).” The New York Times. January 30, 1927, sec. 1, 28.
Downes, Olin Musical Quarterly Read more about Downes, Olin Musical Quarterly Downes, Olin. “An American Composer.” In Musical Quarterly 4 (January 1918): 23-36.
Crunden, Robert M. Transitions in American Thought Series 1972 Read more about Crunden, Robert M. Transitions in American Thought Series 1972 Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Cowell, Sidney High Fidelity and Musical America 1974 Read more about Cowell, Sidney High Fidelity and Musical America 1974 Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.
Cowell, Henry Read more about Cowell, Henry Cowell, Henry. “American Composers.” Ohio State University Bulletin 36/3 (September 15, 1931).
Clark, Sondra Rae Musical Quarterly 1974 Read more about Clark, Sondra Rae Musical Quarterly 1974 Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.
Carter, Elliot Perspectives of New Music 1965 Read more about Carter, Elliot Perspectives of New Music 1965 Carter, Elliot. “Expressionism and American Music.” Perspectives of New Music (Fall-Winter 1965): 1-13.
Brant, Henry Etude 1957 Read more about Brant, Henry Etude 1957 Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.
Booth, Earl Walter 1974 Read more about Booth, Earl Walter 1974 Booth, Earl Walter. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.
Boatwright, Howard Perspectives of New Music 1965 Read more about Boatwright, Howard Perspectives of New Music 1965 Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.