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Robinson, Bradley Craig 1999

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Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.

Wiley, Joan Mary 1981

  • Read more about Wiley, Joan Mary 1981
Wiley, Joan Mary. “A comparative analysis of Charles E. Ives' "First Sonata" and "Sonata No. 2”.” M.A. thesis, California State University, 1981.

So, Carolyn U. 1986

  • Read more about So, Carolyn U. 1986
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.

Bryant, Sister Emily Marie 1966

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Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.

Beck, Jay L. 1983

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Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.

Rodriguez, Paul Anthony 1985

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Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.

Allen, Barbara Oakley 1979

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Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.

Vulpi, Frank 1982

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Vulpi, Frank. “Charles Ives’ Concord Sonata: transcendental unity and mechanic form.” M.A. thesis, Ohio State University, 1982.

Clarke, Gary E. 1965

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Clarke, Gary E. "A study of the music of Charles Edward Ives.” B.A. thesis, Cornell College, 1965.

Greenberg, Jacob 2003

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Greenberg, Jacob. “Charles Ives's songs: a pianist's perspective.” D.Mus. thesis, Northwestern University, 2003.

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