Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.

Mitchell, Rosanne. “Contributions of Charles Ives to contemporary American song literature.” M.A. Thesis, Texas Woman's University, 1971.

Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.

Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.

Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.

Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.

Chmaj, Betty E. “Sonata for American studies: perspectives on Charles Ives.” Cambridge, United Kingdom: Cambridge University Press, 1979.

Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.

Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.

Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.