Kämper, Dietrich. Besprechungen (Name des Rezensenten/der Rezensentin in Klammern): Wolfgang Rathert: The Seen and Unseen. Studien zum Werk von Charles Ives (Book Review). Die Musikforschung, Vol. 45 (1992): 436.

Nicholls, David. Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock. Notes, Vol. 62, No. 3 (2006): 794-796.

Preiss, Robin. Modernism and Postmodernism: Review of Charles Ives in the Mirror: American Histories of an Iconic Composer, by David C. Paul. Notes, Vol. 71, No. 3 (2015): 507-508.

Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.

“Bücher: Stefan Jürging: Die Tradition des Traditionsbruches. John Cages amerikanische Ästhetik; Frank Mehring: Sphere Melodies. Die Manifestation transzendenten Gedankenguts in der Musik der Avantgardisten Charles Ives und John Cage.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 80-82.

Mainka, J. “Buchbesprechungen: Charles Ives, Ausgewählte Texte.” Beiträge zur Musikwissenschaft, Vol. 31, No. 3 (1989): 220.

“In Print: “Ives Studies,” edited by Philip Lambert.” Symphony, Vol. 49, No. 5 (1998): 18.

Parsons, Charles H. “Books: “Charles Ives & Aaron Copland: A Listener's Guide;” “Benjamin Britten & Samuel Barber: Lives & Music.” American Record Guide, Vol. 69, No. 1 (2006): 298-299.

Schaal-Gotthardt, Susanne. Review of Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp. Österreichische Musikzeitschrift, Vol. 60, No. 10-11 (2005): 81.

Church, Michael. “The Insurance Salesman Who Invented Modernism Friday Book; the Life of Charles Ives by Stuart Feder.” The Independent, October 15, 1999.