S. Reception Studies and Related Scholarship

Brown, Earle and Vivian Perlis, Panel Co-Chairs. “Ives Viewed From Abroad.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 45-63. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.

Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.

Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.

Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.

Austin, William. “Ives and Histories.” In Bericht über den internationalen musikwissenschaftlichen Kongress Bonn 1970, edited by Carl Dahlhaus et al., 299-303. Kassel, Germany: Barenreiter, 1971.

Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.

Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.

“In Tribute to Charles Edward Ives on the 100th anniversary of his birth.” Current Musicology No. 18, 1974: 69-119.

Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.

Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.