S. Reception Studies and Related Scholarship

Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.

Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.

Austin, William W. “Studies of Music in the Twentieth Century.” The Journal of Musicology, vol. 1, no. 1 (1982): 63-66.

Brooks, William, et al. “Postlude: Not an End.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks et. al., 241-244. Urbana, IL: University of Illinois Press, 2019.

Manulkina, Olga. “Leonard Bernstein’s 1959 Triumph in the Soviet Union.” In The Rite of Spring at 100, edited by Severine Neff et al., 219-236. Bloomington, IN: Indiana University Press, 2017.

Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.

Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.

Cowell, Henry. “Europe and America in Music Today.” Modern Music X, 2 (January-February 1933): 95.

Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.

Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.